In conjunction with
Art of the Cameroon Grassfields, A Living Heritage in Houston, Curator of Collections, Paul R. Davis, discusses the history of a
mabuh headdress at the Menil Collection. With its split nose ridge, ballooned cheeks, and other expressive features, the headdress can be stylistically attributed to the North-West region of the Grassfields, though it was reportedly collected much farther south in the town of Bansoa. The talk reconciles these discrepant origins by examining the regional symbolism of the headdress and the active tradition of
mabuh performances as part of the regulatory society known locally as
kwifon.